黑死病

十六世纪下半叶，塞维利亚是西方世界的大城市，是欧洲通往美洲的门户。这座城市的富饶，依靠的是国际贸易和金银财富，同时也归功于共同生活与此的海内外人口：基督徒、皈依基督教的犹太人、受过洗礼的摩尔人、奴隶、获得自由的奴隶、流浪汉、盗贼、妓女、贵族、平民。同时，不平等、饥荒和传染病构成了这座城市的阴暗面。 　　在一次黑死病的爆发中，塞维利亚社会中的几名杰出成员被杀。马特奥，一位被宗教法庭审判的罪犯，必须解决这一系列的凶案，才能得到宗教法庭的赦免，从而拯救自己的生命。这是一场孤掷一注的调查，面对的是一个极为复杂与矛盾的环境。在那里，公众压抑和私人享乐并存；神秘主义和混乱无序随处可见；修道院纪律涣散，妓院却法规森严；监狱俨然变为藏身之所，医院则成为葬身之地；背叛与忠诚交织涌动。 　　2019年11月已确定将推出第二季。 　　奖项：2017年圣塞巴斯蒂安电影节：官方选择 非竞赛展映单元

连城诀

武林名家梅念笙獲得秘典「神照經」及可以成為天下第一巨富的「連城訣」，惹來徒兒萬震山、言遠平、戚長發追殺，梅遂將「神照經」及「連城訣」傳給救其性命的丁典（白彪）。丁與知府凌退思（岳華）的女兒霜華（施思）相戀，凌為奪「神照經」及「連城訣」，將丁打下牢獄，要丁說出秘密。狄雲（吳元俊）與師妹戚芳（廖麗玲）相戀，竟被陷害打下牢獄。死囚獄中，狄認識丁，更被傳授「神照功」。凌為了要獲得秘密，竟狠心對女兒下毒手，丁憤然與狄越獄，結果被毒死，而「連城訣」竟然在……

少女杀手阿墨2

日本战国时代末期，各路诸侯连年征伐，战火不断，致令饿殍遍野，生灵涂炭。一代霸主丰臣秀吉死后，旧有的丰臣家族和德川家康发动了夺取天下的战争。为了有效摧毁对手，德川下令组建了武功高桥的杀手集团，在这些人中间，唯一的少女阿墨（上户彩 饰）正是其中的佼佼者。继加藤正清、浅野长政之后，真田昌幸（平干二朗 饰）便是德川家族天下制霸的最后阻碍，而此番阿墨也将其作为最后的刺杀目标。无休止的杀戮，让这个没有笑容的少女早已厌倦，当在一次的争斗开始时，她却邂逅了那个与死去恋人长得一模一样的敌军武士银角（小栗旬 饰）。 阿墨的命运由此变得扑朔迷离……©豆瓣

一路向北

阿炳，一个油罐车司机，每天奔波在市区各个加油站之间送油。在某一天，他同时接到两个消息：一个是孩子所在的民工子弟学校被查封关门，孩子失学了；另外一个消息是，远在老家的母亲由于尿毒症，需要十几万的费用治疗......

牵牛花与加濑同学。

根据日本漫画家高嶋博美创作的百合漫画《牵牛花与加濑同学》改编的剧场版动画。主角山田结衣是位个性内向、喜欢植物的高中2年级学生，班上的园艺股长；在她隔壁班的加濑同学是田径队的王牌及校内风云人物。某一天，山田与加濑她们两人因山田种的牵牛花而相识，并成为好朋友。

热铁皮屋顶上的猫

本片描述出身贫寒的南部地主身患重病不久于世，他的两个性格相反的儿子布雷克和古柏带着媳妇参加他六十五岁的生日聚会。古柏是一位律师并管理大笔产业；弟弟布雷克却因为自己误会老友致使他自杀身亡，并怪其妻与挚友有染，不与其同房，成为大嫂的笑柄并无法接管产业。其实布雷克也不想继承产业，因为他觉得世上一切都很虚伪，但经过贤妻玛姬的激励以及伯父的开导，他才开始了解生活的意义，因而全家最终各得其所。

双面媚娘

晚上应付丈夫，白天面对情人 她是漂亮的，善良的，脆弱的钕人，她有一个幸福的家，但经常魂不守舍影片由闻名演员陶红领衔主演，精彩、感人，值得收藏。

永远的朱迪·布鲁姆

The radical honesty of the books by young adult fiction pioneer Judy Blume changed the way millions of readers understood themselves, their sexuality, and what it meant to grow up, but also led to critical battles against book banning and censorship. 　　源自：https://festival.sundance.org/program/film/638a1a91d406b20bd7f2d581

医者来时路

有人说，医学永远是一个概率。医学发展的意义是什么？医患关系怎样才能得到相对的平衡？当处于医学的小概率事件时，我们又该如何自处？一部穿越时空的电话连接起了一位医生的后半生与另一位医生的前半生。当二十年前难以解决的病症在二十年后得以轻松地解决，这大概是对这些问题最好的回答。主人公李献军作为医生经历了下岗潮，非典，汶川地震等时代和社会事件，也体验了医闹，女儿职业选择，如何面对自己失误等一系列困惑。几起几落，五味杂陈，但李献君始终对医学有着崇高的理想和使命感。每四年的电话总能让他或安慰，或倍受鼓舞，或释然。终于李献军揭开了神秘电话那端人的身份，可是随着时间的流逝，李献军的生命是否也走向了尽头？

热恋中的女人

痴心女子负心郎[电影解说]

Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

爱人说

《爱人说》是《再见爱人4》会员定制辩论节目，节目从《再见爱人4》的嘉宾故事里提炼了关于爱的辩题，每期针对一个辩题，展开辩论。情感话题没有输赢，理解才是最终目的。《爱人说》只为给大家提供一个多视角复盘情感话题的讨论场，让不同的视角和不同的观点，都能得到碰撞。最重要的是在这些碰撞中长出一朵名为“理解”的花。爱是多面棱镜，理解照见人心！