Both critics and audiences have appreciated SHIN Yeon-shick’s films—A Great Actor, Fair Love, The Russian Novel, Rough Play—for his distinctive signature. His new feature The Avian Kind will be part of this year’s Jeonju Digital Project 2014. It is about a writer’s journey to find his missing wife, and this story was also part of his former filmThe Russian Novel. His new film i...
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
在这部对臭名昭著的曼森谋杀案的独特演绎中,我们追随了两代令人毛骨悚然的现实生活事件,这些事件发生在美国最臭名昭著的地址之一 Cielo Drive 10050 号。
唐僧师徒途径女儿国,半夜遭遇夜汐墨与蝎子精大战,唐僧救了夜汐墨待天亮进宫时,唐僧才知所救女子正是女儿国国王夜汐墨。不过女儿国子民以进食男人人灵为生,夜汐墨欲对唐僧施以毒手时,孙悟空及时出手相救。原来繁荣的女儿国曾遭到士兵屠杀,亡灵被仇恨缠身不肯转世,北冥鲲老出面相助,给了女儿国子民肉身,却掳走了她们的亡灵,自此女儿国子民只能靠食男人人灵维持肉身。唐僧听闻之后,决定舍生取义,用自己的性命换取女儿国子民的亡灵转世,可是听到北冥鲲老的名号,孙悟空、猪八戒和沙僧都表示无能为力。唐僧执意孤身前往,他用大爱化解仇恨的行为,感动了夜汐墨,然而等待他们的却是一个更大的陷阱。
戴维(Andy Serkis 饰)和皮特(Reece Shearsmith 饰)是两个一事无成还笑话百出的小人物,这两个穷极生疯的家伙绑架了某黑帮老大的女儿崔茜(Jennifer Ellison 饰),并开口索要10万英镑赎金。然而黑帮老大也不是好对付的,更何况面对的是两个什么都不会的新手。不久,曾参与策划绑架的崔茜的弟弟安德鲁(Steven O'Donnell 饰)连同两名华裔杀手赶到戴维他们的藏身地点。一来二去,形势陡然逆转,安德鲁被打晕,戴维和皮特反而成了崔茜的人质。 崔茜到附近农庄打电话求救,然而才出龙潭,又入虎穴。一个更为恐怖的对手向这群人慢慢逼近……
1962年5月,意大利豪华客轮安东尼亚?格拉撒号在行驶到白令海峡附近时,连同船上数百名乘客突然凭空消失,成为近代航海史著名的悬案之一。 2002年,一架加拿大空军的飞机在该海域发现了一艘随波逐流的小船,飞行员杰克?弗里曼(Desmond Harrington 饰)为小船背后的秘密所吸引,他雇佣西恩?墨菲船长(Gabriel Byrne 饰)及其搜救小组前去公海寻找那艘漫无目的漂泊的客轮。按照海洋法规定,任何在公海发现的无主船只都归发现者所有,而一艘豪华客轮无疑是一笔巨大的财富。及至找到目标时莫菲船长才发现,这便是那艘消失了四十年之久的安东尼亚?格拉撒号! 为财富所吸引,他们相继登上这艘客轮,而各种怪异诡秘的事件也相继发生……
Claudeisaself-madehitmanwhogetspickedupbythebigboystohandleatroublesomewitness.Butthejobturnsouttobealittlemoredifficultthanheexpects...
第一次“三界大战”中,妖帝为了达成统治“天、人、妖”的阴谋,企图夺走人界命脉大地灵髓。战争过半,人界武修死伤殆尽,钟云飞三兄弟殊死一搏。就在灵髓不保时,天界最高神玄穹帝尊舍弃仙体,用尽灵力将妖帝封印。...
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一名年轻男子入住精神病院一周。他在这里认识了另外五位病患,同时还得想办法对付研究狂医生及愤世嫉俗的护理师。
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