《诺亚方舟》根据圣经故事改编，由达伦·阿伦诺夫斯基亲自创作剧本和同名漫画。这是一个没有希望的世界，没有雨、没有粮食，军阀和野蛮的游牧部落统治一切。诺亚是这个残酷世界的一个好人，一个久经沙场的战士、法师和治疗师，他只想和家人过上安宁平静的生活。然而，每天晚上他都会被一个噩梦所折磨，梦里整个世界被一场大洪水吞没。久而久之他意识到，这正是造物主给他的讯号，上帝要惩罚人类，把他们杀光……但他给了诺亚一个机会，让他得以保存地球上的物种。
明朝中业，天下承平，心田公主乃皇帝(明宪宗)的掌上明珠，因佻皮活泼深得皇上宠爱。但鉴於公主已届适婚年龄，皇帝作一次“以文招亲”为公主挑选驸马。适时，金年(年)才高八斗，早为朝廷重用，前途无可限量，惜性格过於率直，在“以文招亲” 中，力斥公主兴建荷花池，劳民伤财，因而触怒了公主！并被贬为九品芝麻官，遣回家乡“池力共镇”接任县令一职！年自幼丧父，有一母游念慈(慈)，二弟金月(月)及三妹金日(日)，三人是三胞胎同年同月同日出生，所以慈取三人之名为年、月、日，让三兄妹铭记此情，血浓於水。 慈在“池力共镇”经营一间食肆，名为“洞蜜园”；因食肆用料讲究，美味巧手，因而生意滔滔，食客不绝；食肆有此成绩，全赖慈在早年艰苦经营下之成果。慈为人低调，但却有一派女中豪杰的风范，就是黑白两道与街坊对之亦敬畏三分！原来慈年轻时，有一段不可告人的惊天身世，三十年前慈本是一名绰号“赛凤凰”的女山贼！武功高强，劫富济贫，因一次机缘正巧截劫了年、月、日之亲父，适其时三子女之母作动，危急万分，慈只好硬著头皮负责接生，但其亲母诞下三人后因难?过身，之后，慈与三子女之父发生感情，惟有金盆洗手，退出江湖，亦改名换姓，及后其夫过身，慈更独力凑大三子女，彼此相处融洽。 慈将食肆掌柜工作交由二子金月(月)打理。月本身体弱多病，故甚懂得养生之道，做事每每以健康为出发点，做事缓慢滋阴，实质不想劳心劳力，练精学懒。月有一妻林玉露(露)，露为千金小姐，天生大花筒，要面要威，天生喜欢发掘人家的秘密，但往往又喜将探听得来的秘密宣扬开去。而金日(日)亦到适婚年龄，可惜日诸多挑剔，弄致嫁杏无期，日在一次意外中与全"池力共镇"最穷的秀才书生高尔康 (康)结怨，日更对康嗤之以鼻，却因一次阴差阳错被康窥得全豹，因礼教所不容，日与康唯有成亲。康曾应考了三届科举皆落第，后得慈点化，终明白考取功名不是唯一出路，决跟随洞蜜园的拉?师傅兼日的舅父游念富(富)学习拉?。 游念富年幼时，痛失牯恃，但慈却没加嫌弃，反将富视如亲弟养育成人。因富拉得一手好?，成为“洞蜜园”的 招牌菜，富虽拉得一手好?，却爱藏私，表面乐意教授康拉?技术，但暗地?却唯恐教识徒弟没师傅，遂保留实力，把最后一招收起。富有一妻云影姬(姬)，姬心地善良，任劳任怨，但可惜头脑简单，过份?直。年有一好友石彪(彪)，为县中捕快，心丝细密，但可惜彪因查案过份紧张及小心，一件普通的事，往往弄至复杂起来，令人啼笑皆非！“池力共镇”内住著金家与石家发生出不少离奇趣事出来，加上年性格乐天，并没有因贬官之事变得意志消沉，相反，更乐於在乡中任职县令，不断替乡民解决不少有趣而荒谬的案件，为镇中增添不少热闹。
"TellMeLies"followsatumultuousbutintoxicatingrelationshipasitunfoldsoverthecourseof8years.WhenLucyAlbright(GraceVanPatten)andStephenDeMarco(JacksonWhite)meetatcollege,theyareatthatformativeagewhenseeminglymundanechoicesleadthewaytoirrevocableconsequences.Althoughtheirrelationshipbeginslikeanytypicalcampusromance,theyquicklyfallintoanaddictiveentanglementthatwillpermanentlyalternotonlytheirlives,butthelivesofeveryonearoundthem.
主角蕾娅为我们讲述了凯布拉达斯加油站的故事，如电影般真实的情节，在巴西联邦区巴西利亚女子监狱“蜂巢”的墙壁上回响。影片融合了纪录片与剧情片的边界，由非职业演员扮演自己，拍摄于具备强烈电影感的真实环境，灯火忽明忽暗、干旱地貌让人联想起西部片的氛围，导演们坚信：当虚构的东西被剥离，留存下来最重要的，就是最真实的生活。
It's been eight days since the clown first showed up in Green Bay, WI. Now, over the course of one night, four different groups of people cross paths with the clown everyone calls "Gags" and his true intentions are finally revealed.
何之洲（佟梦实 饰）为了救沈熹（宋芸烨 饰）不幸在一场事故中身受重伤，性命危在旦夕。沈熹意外的发现了能够将她带回过去的镜子碎片，于是她来到了何之洲受伤之前的那个节骨眼上，这一次，沈熹做出了和曾经不一样的选择，两人终于走到了一起。可是，不管沈熹怎样的努力，还是无法避免意外的发生，当时间又跳跃到两年之后时，沈熹发现此时他们的境遇竟然还不比从前。 一次次的尝试，一次次的改变，沈熹孤独的同命运做着斗争，却依旧什么都无法改变，最终，沈熹发现自己的无数次失败原来是有人在暗中破坏，而他究竟和何之洲有着怎样的深仇大恨，以至于要一次次的置他于死地而后快？
描写处于民族矛盾与阶级矛盾日益尖锐化的30年代的知识分子的苦闷、彷徨和挣扎，提出正视现实，冲破个人象牙之塔，离开彷徨的十字街头，走向革命的时代要求。
刑警队长马红旗和队员小唐在押解毒贩时，一时疏忽让犯人跑了，两人因此被上了重大的精神包袱，最终决定踏上征途，为自己洗清罪名。
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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