随笔集《大叔很痛》确定翻拍成电视剧《危机的X》。原著讲述普通上班族“a叔”经历了下岗、住房问题、身体老化的现实3阶段低潮后的生活,是一部喜剧。男主a叔是毕业于名牌大学的大企业社员,是人们眼中相对成功的人。他的梦想是挤入上位5%族群,但现实是平凡的大叔,并在岁月的冲刷和人生的巨变中成长。剧版将由电影《侦探》《海盗2》金政勋导演执导,综艺SNLKR系列郭景允编剧执笔,预计作为wavve原创剧制作。
电视制作人久野佳奈美目睹日本311大地震之後,看到被弃养在福岛核电厂境內20公里內的貓狗,深深受到冲击。所幸采访途中,她认识了許多“不畏殘酷现实,能救的生命都不该放弃”的愛心人士。看到他们认真的态度,像是躲过大地震摧殘的狗和饲主之间的情谊,记录老人与狗狗得以重生,互相扶持的温馨生活……而我們在被拯救的生命中,看見未來的希望。
Zara和Brian过着完美的小镇生活,一个神秘的陌生人从Zara的秘密过去绑架了他们的女儿,现在他们必须竞相拯救她的生命。
在丽江,王聪和小六是打着野导游的幌子,却行欺骗女游客感情骗取财物之实的拍挡。
故事从主人公直己的视角出发,他是一个沉默寡言的大学辍学生,在父亲的废品回收公司打工。某天直己在游泳池认识了男孩槙,晚上回家时他让槙和槙的盲眼奶奶搭了顺风车。 奶奶在车上讲起年轻时环球旅行的经历,包括打卡《春光乍泄》里的伊瓜苏瀑布。然而等重病住院后,她才向男孩们坦白自己从未离开过日本——所有故事都是她编的。她把存折送给孙子,希望槙替她去看这个世界,只是奶奶并不知道自己已经没多少钱了。 不忍向奶奶道明真相的槙认为别无选择,他只能收录合成各种音效,模仿在世界各地的游历,做成磁带后拜托直己放给奶奶听。直己义无反顾当起了槙的助手,两人结伴收集瀑布、大海、森林的声音,在荒郊野外露宿或在车库光着脚打闹,玩着只有彼此才懂的摔跤游戏,释放内心的隐秘情绪。 经过看似无忧无虑的一段时光,直己提出了要求:我们能真的环球旅行一次吗?比如,去看伊瓜苏瀑布?
Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels. The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated. If you miss it you will have to repent!
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